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Somebody′s Luggage. Charles Dickens

His dressing-case was poor,—not a particle of silver stopper,—bottle apertures with nothing in ′em, like empty little dog-kennels,—and a most searching description of tooth-powder diffusing itself around, as under a deluded mistake that all the chinks in the fittings was divisions in teeth. His clothes I parted with, well enough, to a second-hand dealer not far from St. Clement′s Danes, in the Strand,—him as the officers in the Army mostly dispose of their uniforms to, when hard pressed with debts of honour, if I may judge from their coats and epaulets diversifying the window with their backs towards the public. The same party bought in one lot the portmanteau, the bag, the desk, the dressing-case, the hat-box, the umbrella, strap, and walking-stick. On my remarking that I should have thought those articles not quite in his line, he said: "No more ith a man′th grandmother, Mithter Chrithtopher; but if any man will bring hith grandmother here, and offer her at a fair trifle below what the′ll feth with good luck when the′th thcoured and turned—I′ll buy her!"

These transactions brought me home, and, indeed, more than home, for they left a goodish profit on the original investment. And now there remained the writings; and the writings I particular wish to bring under the candid attention of the reader.

I wish to do so without postponement, for this reason. That is to say, namely, viz. i.e., as follows, thus:—Before I proceed to recount the mental sufferings of which I became the prey in consequence of the writings, and before following up that harrowing tale with a statement of the wonderful and impressive catastrophe, as thrilling in its nature as unlooked for in any other capacity, which crowned the ole and filled the cup of unexpectedness to overflowing, the writings themselves ought to stand forth to view. Therefore it is that they now come next. One word to introduce them, and I lay down my pen (I hope, my unassuming pen) until I take it up to trace the gloomy sequel of a mind with something on it.

He was a smeary writer, and wrote a dreadful bad hand. Utterly regardless of ink, he lavished it on every undeserving object—on his clothes, his desk, his hat, the handle of his tooth-brush, his umbrella. Ink was found freely on the coffee-room carpet by No. 4 table, and two blots was on his restless couch. A reference to the document I have given entire will show that on the morning of the third of February, eighteen fifty-six, he procured his no less than fifth pen and paper. To whatever deplorable act of ungovernable composition he immolated those materials obtained from the bar, there is no doubt that the fatal deed was committed in bed, and that it left its evidences but too plainly, long afterwards, upon the pillow-case.

He had put no Heading to any of his writings. Alas! Was he likely to have a Heading without a Head, and where was _his_ Head when he took such things into it? In some cases, such as his Boots, he would appear to have hid the writings; thereby involving his style in greater obscurity. But his Boots was at least pairs,—and no two of his writings can put in any claim to be so regarded. Here follows (not to give more specimens) what was found in


"Eh! well then, Monsieur Mutuel! What do I know, what can I say? I assure you that he calls himself Monsieur The Englishman."


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